Lys van orrelregisters: Verskil tussen weergawes
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Lyn 12:
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|Aeoline
|Aéoline <br /><br /> Éolienne
| Snaar
|'n Baie klein skaal stop met baie delikate, lugtig klanke; Gebou meestal as 'n enkel-posisie stop, of as 'n duble-posisie celeste.
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|Blockflöte
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| Fluit
|Duits vir "blokfluit"; 'n wye skaalvormige koniese of gestopte fluit van 4'- of 2'-toonhoogte, met die naam van die gewone fluit wat 'n "blokfluit" genoem word, wat sy toon nou saamlik is.
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|Bombarde
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| Riet
|'n kragtige koorstok stop met 'n koperagtige timbre, wat voorkom op die handleidings om 16 '(en soms 8'), of in die pedaal by 'n 16 'of 32' toonhoogte
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|Bourdon
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| Fluit
|'n grootskaalse gestop-fluit, 16 'of 8' op die sleutelborde, en 16 'of 32' in die pedale (waar dit Subbase of Contra Bourdon genoem kan word)
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|Cello
|Violoncelle
| Snaar
|'n skaal stop by 8 'of 16'; het 'n warmer, meer "romantiese" toon as die Gamba
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Lyn 49:
|Claribel
|Clarabel Flute <br /><br /> Claribel Flute <br /><br /> Melodia
| Fluit
|'n 8 oop hout handleiding stop.
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|Clarinet
|Clarinette <br /><br /> Clarionet
| Riet
|'n riet stop met 'n ryke toon wat die orkesinstrument naboots
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|Clarion
|Clairon
| Riet
|8' (pedaal) of 4' (sleutelbord of pedaal) refrein, soortgelyke toon as die "Trompette"
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|Cornet
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| Fluit
|'n baie-rang-stop wat bestaan uit tot vyf geledere van wydverspreide pype. Die plekke sluit in 8 ', 4', 2 2/3 ', 2' en 1 3/5 '. Drie- en vier-rangkornette skakel 8'- en 4'-geledere uit. Hierdie stop is nie nabootsend van die orkeskornet nie.
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|Cornopean
|
| Riet
|8' koor-riet soortgelyk aan die trompet; gewoonlik in die swell-afdeling geleë.
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|Cromorne
|Krummhorn
| Riet
|Sillindriese solo riet wat 'n duidelike bruisende of blink geluid het, nabootsend van die historiese instrument met dieselfde naam
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Lyn 89:
|Fagotto
|[[Fagot|Bassoon]] <br /><br /> Fagott
| Riet
|16' koorriet. Omgekeerde koniese konstruksie, sagter as 'n trompet of trombone.
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|Flageolet
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| Fluit
|'n fluit van 2' of 1' toonhoogte.
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|Fugara
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| Snaar
|'n fuit stop in 4' of 8' toonhoogte. Die toon het 'n skerp stringagtige gehalte.<ref>{{Cite NIE|wstitle=Fugara|year=1906}}</ref>
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|Gamba
|Viola da Gamba <br /><br /> Viole
| Snaar
|'n Skraal stop met 'n din klanke, soos 'n tjello stop. Die stop se naamgenoot kom van die ''viola de gamba''.
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|Gedackt
|Gedeckt
| Fluit
|'n gestopte fluit by 8 'in die sleutelborde, en gestop 16' en / of 8 'fluitstem in die pedale
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|Gemshorn
|Cor de Chamois
| Snaar
|German for "chamois horn"; a narrow-scale, tapered stop. It is also usually the lowest stop in the organ that has one.<ref>"[http://www.organstops.org/r/resultant.html Resultant]", ''OrganStops.org''.</ref>
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Lyn 124:
|Harmonic Flute
|
| Fluit
|an open metal flute made to sound an octave above its length by means of a small hole at its midpoint. This stop has a very pure flute tone and was popularized by Aristide Cavaillé-Coll.
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|Hohlflöte
|Hohlflute <br /><br /> Holpijp
| Fluit
|a metal or wooden 8' open or stopped flute.
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|Larigot
|
| Fluit
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|Mixture
Lyn 144:
|Nachthorn
|Night Horn <br /><br /> Cor de Nuit <br /><br /> Corno de Nacht
| Fluit
|wide-scaled flute with a relatively small mouth, produces a soft, but penetrating sound; occurring at 8′ and 4′ pitch, and also at 2′ pitch at pedal
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|Nasard
|Nasat <br /><br /> Nazard <br /><br />
| Fluit
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|Oboe
|Hautbois
| Riet
|
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|Octave
Lyn 164:
|Ophicleide
|
| Riet
|powerful reed stop, much like the ''Bombarde''; normally a 16′ or 32′ pedal reed; unusually an 8′ or 16′ on the manuals
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|Orchestral Oboe
|
| Riet
|a different stop from ''Oboe''; intended to imitate the orchestral instrument; of smaller scale than the non-imitative oboe
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|Piccolo
|
| Fluit
|2′ flute
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|Quarte
|
| Fluit
|2′ flute on 17th and 18th century French organs; short for ''Quarte de nasard'', sounding an interval of a fourth above the nasard stop
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|Regal
|
| Riet
|a reed stop with fractional-length resonators; produces a buzzy sound with low [[Grondtoon|fundamental frequency]].
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|Rohrflöte
|Chimney Flute
| Fluit
|German for "reed flute"; a semi-capped metal pipe with a narrow, open-ended tube (i.e. "chimney") extending from the top which resembles a reed
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|Salicional
|
| Snaar
|An 8′ string stop, softer in tone than the ''Gamba''.
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Lyn 209:
|Sifflöte
|Piccolo <br /><br /> Sifflet
| Fluit
|1′ flute
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Lyn 219:
|Tibia Clausa
|Tibia
| Fluit
|a large-scale, stopped wood flute pipe, usually with a leathered lip; performs same function in a theatre pipe organ as a principal in a classical organ.
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|Tierce
|Seventeenth <br /><br /> Terz <br /><br /> Tertia
| Fluit
|mutation stop pitched {{frac|1|3|5}}′, supporting the 8′ harmonic series
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|Trichterregal
|
| Riet
|an 8-ft reed stop on a pipe organ with funnel-shaped resonators.<ref>{{Cite book}}</ref><ref>{{Cite encyclopaedia}}</ref> A trichterregal was used by Schnitger in the Schnitger organ that he built for St. James's Church, Hamburg.
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|Trombone
|Posaune <br /><br />
| Riet
|Chorus reed simulating the [[Tromboon|trombone]]; most commonly in the pedal at 16′ or 32′ pitch
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|Trompette en Chamade
|
| Riet
|Solo trumpet laid horizontally; can often be heard over full organ.
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|Trompette Militaire
|
| Riet
|powerful solo reed of the trumpet-family, with a brassy, penetrating tone
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|Trumpet
|Trompete <br /><br />Trompette
| Riet
|a loud chorus reed stop, generally a single rank, with inverted conical resonators.
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|Tuba
|
| Riet
|large-scale, high pressure, smooth solo reed usually 8′ in the manuals and 16′ (sometimes 32′) in the pedal. Tuba is Latin for Trumpet; it is not named after the orchestral tuba.
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Lyn 269:
|Unda Maris
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| Fluit
|Latin for "wave of the sea"; a very soft rank tuned slightly sharp or flat. It is drawn with another soft rank to create an undulating effect. Occasionally built as a double-rank stop called ''Unda Maris II'', which has both a normal-pitched and detuned rank.
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|Voix céleste
|
| Snaar
|An 8′ string stop tuned slightly sharp or flat to create an undulating effect when combined with another string stop. Some variants contain both a normal-pitched and detuned rank. {{Geluid|Vox coelestisII me.ogg|Play}}
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|Vox humana
|Voix humaine
| Riet
|fractional length regal supposedly intended to imitate the human voice
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