Verskil tussen weergawes van "Popmusiek"

Popmusiek (wysig)

Wysiging soos op 20:34, 2 Junie 2020

819 grepe verwyder ,  9 maande gelede
→‎Eienskappe
(Geskep deur die bladsy "Pop music" te vertaal)
== Eienskappe ==
[[Lêer:Elvis_Presley_-_TV_Radio_Mirror,_March_1957_01.jpg|links|duimnael|250x250px|[[Elvis Presley]]]]
 
{{listen|filename=Righteous Brothers - You've Lost That Lovin' Feelin'.ogg|title=The Righteous Brothers – "You've Lost That Lovin' Feelin'" (1965)|pos=right|description={{As of|2011}}, "[[You've Lost That Lovin' Feelin']]" ranks as the most frequently played song in US radio history.<ref>{{cite news |url=https://www.bbc.co.uk/news/uk-northern-ireland-15186967 |title=Van's Brown Eyed Girl hits the 10 million mark in US|date=5 October 2011 |work=BBC }}</ref> It is described by music writers [[Nick Logan]] and [[Bob Woffinden]] as "the ultimate pop record".<ref>{{cite book |url=https://books.google.com/?id=QWBPAQAAQBAJ&pg=PA101#v=onepage |title=Encyclopedia of Great Popular Song Recordings, Volume 2|author=Steve Sullivan|pages=101–103 |publisher=Scarecrow Press |year=2013 |isbn= 978-0-8108-8296-6 }}</ref>}}
Volgens Frith is die eienskappe van popmusiek ten doel om die breë publiek te betrek, eerder as 'n sub-kultuur of ideologie en om eerder klem op vakmanskap te plaas as formele artistieke eienskappe.<ref name="Firth2001">S. Frith, W. Straw, and J. Street, eds, ''[[Cambridge Metgeselle na Musiek|The Cambridge Companion to Pop and Rock]]'' (Cambridge: Cambridge University Press), {{ISBN|0-521-55660-0}}[[ISBN (identifier)|ISBN]]&nbsp;[[Special:BookSources/0-521-55660-0|0-521-55660-0]], pp.&nbsp;95–105.</ref> Musiek geleerde, Timoteus Warner, het gesê dit het gewoonlik 'n klem op die opname, produksie en tegnologie, eerder as op lewendige uitvoerings; 'n neiging om oor bestaande tendense te besin eerder as om deel te wees van progressiewe ontwikkelings; en het ook ten doel om gehore aan te moedig om te dans en gebruik dans-georiënteerde ritmes.<ref name="Warner2003">T. Warner, ''Pop Music: Technology and Creativity: Trevor Horn and the Digital Revolution'' (Aldershot: Ashgate, 2003), {{ISBN|0-7546-3132-X}}[[ISBN (identifier)|ISBN]]&nbsp;[[Special:BookSources/0-7546-3132-X|0-7546-3132-X]], pp.&nbsp;3–4.</ref>
 
Elana Barker
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