Etswerk: Verskil tussen weergawes

[[Lêer:Rembrandt_The_Hundred_Guilder_Print.jpg|duimnael|''Die prekende Christus (Nederlands: De predikende Christus)'', ook genoem ''Die Honderdguldenprent of Christus genees die Siekes'', 'n ets deur [[Rembrandt van Rijn|Rembrandt]] (ca. 1648). Rembrandt is allerweë beskou as die grootste etser in die geskiedenis van die medium (as 'n kuns uit eie reg).<ref>Stampfle, Felice; et al. (eds.): ''Rembrandt: Experimental Etcher'' [exh. cat.]. (Boston: Museum of Fine Arts; New York: The Pierpont Morgan Library, 1969)</ref><ref>McQueen, Alison: ''The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France''. (Amsterdam: Amsterdam University Press, 2003)</ref><ref>Ackley, Clifford S.; Baer, Ronni; Rassieur, Thomas E.: ''Rembrandt's Journey: Painter, Draftsman, Etcher''. (Boston: Museum of Fine Arts, 2003)</ref><ref>Hinterding, Erik; Dickey, Stephanie S.; et al.: ''Learning and Teaching with Rembrandt: Cross-Disciplinary Approaches to the Master Etcher'' [Symposium]. ([[Herbert F. Johnson Museum of Art]], [[Cornell University]], 28 October 2017)</ref> Sy belangrikste bydrae in die geskiedenis van grafiese drukkuns was sy transformasie van die 17de-eeuse etsproses<ref>White, Christopher: ''Rembrandt as an Etcher: A Study of the Artist at Work'' [2 vols.]. (London: A. Zwemmer, 1969; 2nd ed., New Haven, CT: Yale University Press, 1999)</ref><ref>Hinterding, Erik: ''Rembrandt as an Etcher: The Practice of Production and Distribution''. (Ouderkerk aan den IJssel, Netherlands: Sound and Vision Publishers, 2006)</ref><ref>Frederick, Amy Reed: ''Rembrandt's Etched Sketches and Seventeenth-Century Print Culture''. (PhD thesis, [[Case Western Reserve University]], May 2014)</ref> van relatiewebetreklik nuwe handwerk tot 'n werklik bewonderenswaardige kunsvorm in die daaropvolgende eeue,<ref>De Viejo, Isadora Rose; Cohen, Janie: ''Etched on the Memory: The Presence of Rembrandt in the Prints of Goya and Picasso''. (Blaricum: V KPub./Inmerc, 2000)</ref><ref>De Viejo, Isadora Rose; Di Martino, Enzo: ''Rembrandt, ispirazioni per Goya'' [Rembrandt, an inspiration for Goya]. (Milano: Gabriele Mazzotta, 2001)</ref> veral in die 19de eeu.<ref>Weisberg, Gabriel P.: ''The [[Etching Revival|Etching Renaissance]] in France, 1850–1880'' [exh. cat.]. (Salt Lake City: Utah Museum of Fine Arts, 1971)</ref><ref>Samis, Peter Seth: ''The Appropriation of Rembrandt by the Nineteenth-Century French Etchers''. (Master's thesis, University of California, Berkeley, 1988)</ref><ref>Garton, Robin; Grimm, Gerard Volker; van der Grinten, Gerhard: ''Rembrandt und die englischen Malerradierer des 19. Jahrhunderts'' [Rembrandt and the English Painter-Etchers of the 19th Century]. (Bedburg-Hau: Stiftung Museum Schloss Moyland, 2005)</ref><ref>Helsinger, Elizabeth; et al. (eds.): ''The "Writing" of Modern Life: The [[Ets Herlewing|Etching Revival]] in France, Britain, and the U.S., 1850–1940''. (Chicago: Smart Museum of Art, University of Chicago, 2008, {{ISBN|978-0-935573-45-9}})</ref>]]